Saturday, October 12, 2019

Edwige Danticat’s Tones in We Are Ugly, But We Are Here :: Danticat We Are Ugly

Edwige Danticat’s Tones in We Are Ugly, But We Are Here   Ã‚  Ã‚  Ã‚  Ã‚   When I first read â€Å"We Are Ugly, But We Are Here,† I was stunned to learn how women in Haiti were treated. Edwige Danticat, who was born in Port-au-Prince, Haiti, in 1969 and immigrated to Brooklyn when she was twelve years old, writes about her experiences in Haiti and about the lives of her ancestors that she links to her own. Her specific purpose is to discuss what all these families went through, especially the women, in order to offer the next generation a voice and a future. Danticat writes vividly about events that occurred in Haiti, leading up to an assertion about the strength of Haitian women. Her essay is powerful in large part because of how she manages tone.   Ã‚  Ã‚  Ã‚  Ã‚   Danticat begins her essay with a tragic and bitter tone. She tells of the first people who were murdered when the Spaniards came to Haiti including Queen Anacaona, an Arawak Indian who ruled over the western part of the island. With bitterness she states, â€Å"Anacaona was one of their first victims. She was raped and killed and her village pillaged† (137).   Ã‚  Ã‚  Ã‚  Ã‚   After establishing this sad and bitter tone, Danticat moves to a more rejoiceful tone when she reminisces about the times when her grandmother would tell her stories: â€Å"My grandmother was an old country woman who always felt displaced in the City of Port-au-Prince—where we lived—and had nothing but her patched-up quilts and her stories to console her. She was the one who told me about Anacaona† (137). Danticat then shifts to a more neutral tone when she recalls her grandmother’s peaceful death with her eyes open. She took her grandmother’s death calmly because death was so frequent in Haiti. She further explains, â€Å"I have such a strong feeling that death is not the end, that the people we bury are going off to live somewhere else† (138).   Ã‚  Ã‚  Ã‚  Ã‚   Danticat’s factual tone becomes angrier when she remembers that the news broadcasts never mention women in places like Haiti. It was often hard to tell whether any women were living or breathing: â€Å"The women’s stories never manage to make the front page. However, they do exist† (139). The anger increases to outrage when she details atrocities committed including the shooting of a woman in her pregnant stomach because she was wearing a t-shirt that had an â€Å"anti-military image† on it (139).

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